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The Tokyo Suite

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A NEW YORK TIMES EDITORS' CHOICE

The English-language debut of one of the most exciting voices in contemporary Brazilian literature, The Tokyo Suite is a gripping exploration of the complexities of modern family dynamics and the tensions hiding just under the surface of ordinary lives.

It's a seemingly ordinary morning when Maju, a nanny, boards a bus with Cora, the young girl she's been caring for, and disappears. The abduction, an act as impulsive as it is extreme, sets off a series of events that will force each character to confront their deepest fears and desires.

Fernanda, Cora's mother, is a successful executive who is so engulfed in her own personal crisis that she initially fails to notice her daughter's disappearance. Her marriage is strained, and she finds solace in an affair, distancing herself further from her family. Meanwhile, her husband, overwhelmed by the complexities of their domestic life, remains emotionally detached. As Maju navigates the streets of São Paulo with Cora, the "white army" of nannies, a term coined by Fernanda, seems to watch her every move, heightening her sense of paranoia and urgency.

Madalosso's narrative delves deep into the human psyche, examining themes of maternal guilt, societal expectations, and the search for personal identity. Rich and multi-layered, The Tokyo Suite is a poignant and gripping tale that captures the essence of modern urban life and the lengths to which people will go to reclaim a sense of control and meaning in their lives.

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    • Booklist

      Starred review from January 1, 2025
      Brazilian writer Madalosso's English-language debut opens with a kidnapping. Sweaty with nerves, nanny Maju will take four-year-old Cora from S�o Paulo over the border to Paraguay, where she can get the girl a new passport, then to the southern Brazilian state where Maju spent her impoverished childhood, raised by her grandmother. Cora's mother, Fernanda, distracted by her high-profile TV job and a scorching affair, doesn't learn anything is amiss until late that evening. In Maju's and Fernanda's alternating first-person perspectives, chapters fly over the course of this day, with Madalosso's prose, translated by Lobato, becoming more unsettling and meaningful as Maju loses her grasp on what she's doing, and Fernanda envisions every worst case. Obsessed with cleanliness and prayer, Maju is paid well but lost everything, we learn, to work for Fernanda, a woman who literally buys a car when it will get Cora a vaccine. Fernanda, meanwhile, is dedicated to her demanding career but harbors a shadow truth: the work supports her family yet precludes her from mothering. ""You had fun with her,"" she tells Cora's father. ""I passed by her like a cumulonimbus."" A bitter and loving, eviscerating, suspenseful, and tender psychological novel about class, gender, motherhood, and nature both within and without.

      COPYRIGHT(2025) Booklist, ALL RIGHTS RESERVED.

    • Kirkus

      February 1, 2025
      A child's abduction highlights the gulf separating the lives of the two women who care for her. In her English-language debut, Brazilian writer Madalosso delivers a story from the alternating perspectives of two women. Maju begins. She's a maid to Fernanda and Cac� in S�o Paulo and nanny to their 4-year-old daughter, Cora, and she's about to kidnap the little girl. Age 44 and childless herself, Maju has spent a lifetime working in the homes of other families; she had a boyfriend for a while, but forfeited that relationship to her work and is essentially alone. Now, she's taking Cora on a road trip which will go increasingly awry. Fernanda relies on Maju's labor to pursue her own career in television--which supports the family and its comfortable lifestyle--and also an absorbing affair with a female lover while her marriage seems to be fading. The women's voices are alternately indulgent and urgent. The novel is short yet it ranges widely, from Amazon forests to love motels, from taking the hallucinogen ayahuasca to filming alligators. But it returns constantly to its central preoccupations, class and womanhood, the latter considered broadly to include sex after child-bearing, an anthropological scrutiny of female bonobo monkeys, depilation, and the anxious preoccupations of mothers everywhere. Madalosso's style is modern, fractured, vivid in its devotion to inner fears and fantasies yet open-ended. Fernanda and Maju's standpoints may be far apart, but both love Cora intensely and both are marked by unsatisfied expectations. Nor does the book resolve them--rather it draws a scenic portrait of contemporary lives and leaves its characters to resume after the pages conclude. An atmospheric, idiosyncratic glimpse of contemporary female lives.

      COPYRIGHT(2025) Kirkus Reviews, ALL RIGHTS RESERVED.

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