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The Uses of the Body

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"Landau's killer wit evokes Dorothy Parker crossed with Sylvia Plath—leaping spark after spark, growing to deadly dark fire. The Uses of the Body is her best book, its acerbic tone interspersed with lines of grave and startling beauty." —Los Angeles Times

* "As freshly immediate as ever, award-winning poet Landau reveals that 'the uses of the body are manifold,' moving in four sections with a roughly chronological feel from wedding parties to flabby bodies around the pool to the realization 'But we already did everything'—all with an underlying sense of urgency: 'Life please explain.' As Landau explores her physical self and her sexuality, she's tart, witty, fluid, direct, and brutally honest, and her work can be appreciated by any reader."—Library Journal,starred review

"Deborah Landau . . . is both confessional and direct, like Sylvia Plath and Allen Ginsberg. Her taut, elegant, highly controlled constructions meditate upon yearning and selfhood."—Booklist

Deborah Landau's Uses of the Body presents the very specific challenges of womanhood. Her poems address what it means to be alive—right now—in a female body. She fills her poetry with compelling nouns: wine glasses, bridal gowns, and "books and teacups and ghosts." And what ghosts: underneath evocative images and poetic play, there's a moving, yearning mysticism.

From "Mr and Mrs End of Suffering":

The uses of the body are wake up.
The uses of the body, illusion.

The uses of the body. Rinse repeat.
To make another body.

September. Draw the blanket up.
Lace your shoes.

The major and minor passions. Sunlight. Hair.

The basic pleasures. Tomatoes, Keats, meeting a smart man for a drink.

The uses of the body.
It is only a small house. It gets older.

Its upper and lower.
Its red and white trim.

It's tempting to gloss over this part,
so you won't really see me.

Deborah Landau is the author of two books of poetry. She was educated at Stanford, Columbia, and Brown, where she earned her PhD. Currently she is the director of the NYU Creative Writing Program and lives in New York City.

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    • Publisher's Weekly

      April 20, 2015
      Forces of opposition rule in this gorgeous and unflinching third collection from Landau (The Last Usable Hour), director of NYU’s creative writing program. Powerful and vulnerable, spare in form and ardent in tone, her lyric sequences broach existential questions as sweeping and timeless as her language is particular and contemporary. Mired in the “tumble-rush of days we cannot catch,” Landau looks closely at embodied (particularly female-bodied) experience to address elemental concerns of mortality, birth and parenthood, domesticity, and desire. Any sense of narrative is fragmentary, but context and impetus arise in several containing events, including a wedding, a death, and two pregnancies. Lush musicality and sly playfulness offset or underscore a fundamentally bleak perspective, one framed by the gnawing demand: “And what is the arc of a life./ And up ahead nothing./ On the other side what.” This collection confronts the void head-on while also apprehending the busy and densely peopled textures of lived experience, luxuriating in “The major and minor passions./ Sunlight. Hair.// The basic pleasures. Tomatoes. Keats,// meeting a smart man for a drink.” Landau ventures no answers, but distills many of the most abiding and elemental anxieties that come with the knowledge that “We are here and soon won’t be.”

    • Library Journal

      Starred review from April 15, 2015

      As freshly immediate as ever, award-winning poet Landau (The Last Usable Chair) reveals that "the uses of the body are manifold," moving in four sections with a roughly chronological feel from wedding parties to flabby bodies around the pool to the realization "But we already did everything"--all with an underlying sense of urgency: "Life please explain." As Landau explores her physical self and her sexuality, she's tart, witty, fluid, direct, and brutally honest, and her work can be appreciated by any reader.

      Copyright 2015 Library Journal, LLC Used with permission.

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  • English

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