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Many People Die Like You

ebook
1 of 1 copy available
1 of 1 copy available
An underemployed chef is pulled into the escalating violence of his neighbour's makeshift porn channel. An elderly piano student is forced to flee her home village when word gets out that she's fucked her thirty-something teacher. A hose pumping cava through the maquette of a giant penis becomes a murder weapon in the hands of a disaffected housewife. In this collection from the winner of Sweden's August Prize, Lina Wolff gleefully wrenches unpredictability from the suffocations of day-to-day life, shatters balances of power without warning, and strips her characters down to their strangest and most unstable selves. Wicked, discomfiting, delightful and wry, delivered with the deadly wit for which Wolff is known, Many People Die Like You presents the uneasy spectacle of people in solitude, and probes, with savage honesty, the choices we make when we believe no one is watching ... or when we no longer care.
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    • Kirkus

      August 15, 2020
      Stories about people who are disaffected, apathetic, and bored. The characters in Swedish author Wolff's latest book are bored by the mundanity of their lives. They cheat on each other or demand violence in the midst of sex. In "Imagine a Living Tree," Kent finds that his wife's 20-year-old former lover has come to stay with them "until I've figured things out with my girlfriend," he says. Kent remembers a conversation with his sister. "Men," she'd told him, "think everything is fine and dandy, and then one day the wife finds someone else and bails. When they talk about it later, the wife will say I've had the most boring time with you." Had his own wife had a boring time? Kent wonders. In another story, a woman hires a detective to follow her husband's mistress. Then she seduces the detective. Some of the stories are set in Spain while others occur in Wolff's native Sweden. In one, a young man in a small Swedish village begins an affair with his elderly piano student. This story is intriguingly narrated by a collective "We," which represents the village as a whole. The village does not approve. Wolff excels with the disaffected and the weird. Her stories, though, have an unfortunate habit of ending just before they begin to delve too deeply into any particular subject. They plumb the surfaces of things but hardly ever the depths. Wolff's stories intrigue but often fail to offer fresh insights.

      COPYRIGHT(2020) Kirkus Reviews, ALL RIGHTS RESERVED.

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  • English

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