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Providential

ebook
1 of 1 copy available
1 of 1 copy available

Best-selling writer Colin Channer's debut poetry collection tackles the unlikely literary figure of the Jamaican policeman.

"The Caribbean policeman is a character both foreign and familiar at the center of this intimate debut poetry collection. Combining Jamaican patois and American English, it tells the story of violence, loss, and recovery in the wake of colonialism." —O, the Oprah Magazine, One of 19 Books to Pick Up This October

"Extremely worthwhile . . . Channer brings an Olive Senior like narrativity to these sharp character sketches, and by deploying his keen novelist's eye he can trace the actions and effects of power on these men and their families in interesting and compelling language." —Anthurium: A Caribbean Studies Journal

Channer's debut poetry collection achieves an intimate and lyric meditation on family, policing, loss, and violence, but the work is enlivened by humor, tenderness, and the rich possibilities that come from honest reflection. Combined with a capacity to offer physical landscapes with painterly sensitivity and care, a graceful mining of the nuances of Jamaican patwa and American English, and a judicious use of metaphor and similie, Providential is a work of "heartical" insight and vulnerability.

Not since Claude McKay's Constab Ballads of 1912 has a writer attempted to tackle the unlikely literary figure of the Jamaican policeman. Now, over a century later, Channer draws on his own knowledge of Jamaican culture, on his complex relationship with his father (a Jamaican policeman), and frames these poems within the constantly humane principles of Rasta and reggae. The poems within Providential manage to turn the intricate relationships between a man and his father, a man and his mother, and man and his country, and a man and his children into something akin to grace.

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    • Publisher's Weekly

      July 20, 2015
      Channer, author of the novella The Girl with the Golden Shoes, skillfully examines the brutality that permeates Jamaica’s history in this moving debut poetry collection. Poems explore the historical oppression experienced by Channer’s blood ancestors; as the son and grandson of policemen, he also plumbs his connection to the violence that still exists in his homeland. Yet Channer’s book is also an investigation of an expatriate’s relationship with his birthplace and what this distance means to his American-raised son. His gift for narrative is apparent from the book’s opening poem, but is especially evident in “Funeral,” in which he weaves anecdotes from a dead man’s life with snapshots of his funeral without losing the reader. Channer also demonstrates a sharp ear, with lines that take meaning from both definition and sound: “We belongers sieve the fragments// from the midden, make molds./ Shells. Shit. Skin. Seeds. Bone.” Despite the violence that he documents, the poems are not without beauty: “A kite was caught on a telephone pole./ I wanted to be it, see what it could/ the hills, the sea.” Like his kite, Channer’s poems rise to present the reader with a panoramic view of a place “built on old foundations of violence,” of “geographies where genocide and massacre/ hang like smoke from coal fires.”

    • Booklist

      September 1, 2015
      Author of three books of fiction, including The Girl with the Golden Shoes (2007), Jamaican-born Channer draws on the rich cultural heritage of the Caribbean and his own unique experience for this energetic, linguistically inventive first collection of poetry. Moving from Kingston Harbour's busy docks to Monrovia's first McDonald's to Coney Island's spinning rides, Channer effortlessly switches registers mid-stanza and imbues lines with the intimate particulars of island eccentricity, like the dread / who'd rather have his elbow broken than to leggo / off his ital pot, or the countless constables, rangers, recruits, and militia that populate his pages. Channer's lyrics pop and reel in sheer musicality, reveling in the colorful, conflicting crowd, from passive Rastas to seemingly countless acts of police violence. The son of an officer himself, Channer reflects on the journeys that define his life: I think, okay I'm settled. / Wellesley, Brooklyn, / Jersey (two towns), exurbian Atlanta, / the Bronx and Kingston, / frigging Kingston. A dextrous, ambitious collection that delivers enough acoustic acrobatics to keep readers transfixed till the starlings sing out. (Reprinted with permission of Booklist, copyright 2015, American Library Association.)

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