Starred review from June 6, 2016
Without sentimentality, Konar’s gripping novel explores the world of the children who were the subjects of Nazi doctor Josef Mengele’s horrifying experiments at Auschwitz. Stasha and Pearl, 12-year-old Jewish sisters from Poland, are placed in Mengele’s “zoo” because they are twins, rather than being sent to the gas chambers. Stasha is impulsive, a little melancholy, and given to storytelling; Pearl is more restrained and observant, and less dependent on her sister. Mengele selects one of the sisters to torture and uses the other as a control in his experiment. The two narrate alternating chapters of their story, which begins when they are sent to the camp in the autumn of 1944. The latter part takes the novel into the chaotic months after Auschwitz was abandoned, when some of the inmates were set on a death march and others were liberated by the Allies. Konar neatly avoids making Mengele the center of attention, instead focusing on the girls and the people they meet in the zoo, including brash, mouthy Bruna; conflicted Dr. Miri, a Jewish physician conscripted to work for “Uncle Doctor” Mengele; and messenger boy Peter, whose affection for Pearl threatens the closeness of the twins. Konar makes every sentence count; it’s to her credit that the girls never come across as simply victims: they’re flawed, memorable characters trying to stay alive. This is a brutally beautiful novel. Agent: Jim Rutman, Sterling Lord Literistic.
Starred review from December 5, 2016
Actress Johansson’s audio narration of Konar’s achingly beautiful novel is notable for its light touch in vocalizing, so vividly, the 12-year-old identical twins Pearl and Stasha, who were tortured by the Angel of Death, Josef Mengele, at Auschwitz. The Jewish twins, from Poland, are separated from their family upon arrival at the death camp and taken to Mengele’s “zoo,” along with other twins and children with albinism, for barbaric experimentation. Pearl and Stasha take turns describing their encounters with Mengele and with other characters; their telepathic-like bond binds them close, even as they become physically separated and one twin is subjected to horrific suffering. Reader Johansson captures the novel’s focus on the twins, not Mengele, and conveys their childlike innocence, even as they endure agonizing physical pain and sadistic mind games. Johansson doesn’t make the sisters’ voices highly distinguishable from each other, which would be a flaw in a less adept voice actor, but it’s a wise calculation here that keeps the focus on Konar’s gorgeous, elegant prose. An LB/Boudreaux hardcover.